Heaven in C.S. Lewis's Cosmology The Rewriting of Revelation 21. 1- 22. 5 in "The Last Battle"

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Anne-Frédérique Mochel-Caballero


In the last chapter of the last volume of The Chronicles of Narnia, the protagonists arrive in Aslan’s country, Narnia’s equivalent of Heaven, or at least its outskirts. C.S. Lewis’s portrayal of this imaginary world is of course inspired by the Bible, and by previous literary depictions such as Bunyan’s Celestial City in The Pilgrim’s Progress or Dante’s Paradiso in The Divine Comedy, but it also has a unique quality. Although on the surface Lewis sometimes seems to contradict the Biblical hypotext, he never betrays the spirit of Chapters 21-22 of the book of Revelation. Indeed, he achieves the masterstroke of fleshing out this highly symbolic description of the new Jerusalem by presenting his young readers with a vivid and concrete picture, reassuring those of them who might dread being bored in paradise. The way in which he represents Heaven is arguably one of his most successful attempts at overcoming children’s potential misgivings and he accomplishes it by addressing the reader’s imagination through myth.


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How to Cite
Mochel-Caballero, A.-F. “Heaven in C.S. Lewis’s Cosmology: The Rewriting of Revelation 21. 1- 22. 5 in ‘The Last Battle’”. Linguaculture, vol. 13, no. 1, June 2022, pp. 81-93, doi:10.47743/lincu-2022-1-0233.
Author Biography

Anne-Frédérique Mochel-Caballero, University of Picardie Jules Verne, Amiens

Anne-Frédérique MOCHEL-CABALLERO, PhD, is a lecturer in English literature at the University of Picardie Jules Verne in Amiens, France, and a member of the CORPUS research team. Her PhD, published in 2011, explores gender relations in the works of C.S. Lewis. Her research focuses on fantasy literature, gender issues and the interface between literature and theology. She has published articles on authors including C.S. Lewis, George MacDonald, Madeleine L’Engle, and J.K. Rowling.